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The adventurous duo takes on two double piano concertos
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Rachmaninoff’s youthful and flashy First Piano Concerto
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The adventurous duo takes on two double piano concertos
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This rich program touches the darker edges of three master composers, ranging from the heroic style of Beethoven’s first breakaway concerto to the dusky Romantic emotions of Brahms’ serious overture and concluding with the suite Bartók extracted from his shocking ballet score.
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Our Creative Chair for Jazz is impossible to hem in, an artistic force who’s spent decades in pursuit of the next interesting sound. No matter if he’s playing acoustic post-bop or head-bobbing funk, any appearance by Herbie Hancock is appointment viewing.
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Rachmaninoff’s youthful and flashy First Piano Concerto
GO Details
Click For Details
The adventurous duo takes on two double piano concertos
GO Details
Click For Details
This rich program touches the darker edges of three master composers, ranging from the heroic style of Beethoven’s first breakaway concerto to the dusky Romantic emotions of Brahms’ serious overture and concluding with the suite Bartók extracted from his shocking ballet score.
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The LA Phil’s Creative Chair leads Andriessen’s “big boned, hectically minimalist” (Daily Telegraph) de Staat, plus a world premiere from Chicago bassoonist-composer Katherine Young.
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A star countertenor pairs with the prize-winning Italy-based ensemble for a Handel extravaganza.
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This rich program touches the darker edges of three master composers, ranging from the heroic style of Beethoven’s first breakaway concerto to the dusky Romantic emotions of Brahms’ serious overture and concluding with the suite Bartók extracted from his shocking ballet score.
GO Details
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John Adams leads his powerful new opera, set in the California Gold Rush.
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