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Il Pomo d'Oro
A star countertenor pairs with the prize-winning Italy-based ensemble for a Handel extravaganza.
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Yuja Wang & Dudamel: Rachmaninoff Concerto 2
Rachmaninoff’s Romantic Seconds: symphony and piano concerto
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Brass Spectacular
Brass Spectacular
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The Labèques, Muhly, and Dessner
The adventurous duo takes on two double piano concertos
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Herbie Hancock
Our Creative Chair for Jazz is impossible to hem in, an artistic force who’s spent decades in pursuit of the next interesting sound. No matter if he’s playing acoustic post-bop or head-bobbing funk, any appearance by Herbie Hancock is appointment viewing.
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The Labèques, Muhly, and Ravel
The adventurous duo takes on two double piano concertos
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Academy of St. Martin in the Fields
American Youth Symphony
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Yuja Wang & Dudamel: Rachmaninoff Concerto 1
Rachmaninoff’s youthful and flashy First Piano Concerto
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Bronfman Plays Beethoven
This rich program touches the darker edges of three master composers, ranging from the heroic style of Beethoven’s first breakaway concerto to the dusky Romantic emotions of Brahms’ serious overture and concluding with the suite Bartók extracted from his shocking ballet score.
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Yuja Wang & Dudamel: Rachmaninoff Concerto 1
Rachmaninoff’s youthful and flashy First Piano Concerto
GO Details
Click For Details
Bronfman Plays Beethoven
This rich program touches the darker edges of three master composers, ranging from the heroic style of Beethoven’s first breakaway concerto to the dusky Romantic emotions of Brahms’ serious overture and concluding with the suite Bartók extracted from his shocking ballet score.
GO Details
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The Labèques, Dessner, and Ravel
The adventurous duo takes on two double piano concertos
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Adams Conducts Andriessen
The LA Phil’s Creative Chair leads Andriessen’s “big boned, hectically minimalist” (Daily Telegraph) de Staat, plus a world premiere from Chicago bassoonist-composer Katherine Young.
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Don't Fear the Light
Don't Fear the Light
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Bronfman Plays Beethoven
This rich program touches the darker edges of three master composers, ranging from the heroic style of Beethoven’s first breakaway concerto to the dusky Romantic emotions of Brahms’ serious overture and concluding with the suite Bartók extracted from his shocking ballet score.
GO Details